[MUSIC PLAYING]
YOUNG WOMAN: My god, look at that thing.
ELDERLY WOMAN: It's beautiful.
YOUNG WOMAN: Yeah.
ELDERLY WOMAN: You know, it was going to buy
me a ring for my anniversary.
A real?
No.
The fake one.
[CHUCKLE]
This is a rock.
YOUNG WOMAN: Yeah.
The rock that defied a country.
When the Brits took control of Scotland in 1707,
they took control of all royal Scottish jewels,
except for that scepter, you see.
It vanished.
For 200 years it remained a mystery,
until a minister in Tarenton found
it buried under his church.
Can you imagine?
It's all in here.
Oh.
Would you like me to take a picture?
You two with the rock.
All right.
Here's my camera.
Is that OK?
It's wonderful.
Yorkshire pudding.
[SNAP]
Beautiful.
Oh, um, would you mind?
I'd like to take one with mine.
Smile.
And one more for good luck.
Beautiful.
Thank you so much.
[WHISTLING]
Hey, guys.
How you doing, Ronnie?
RONNIE: I thought we had to send a search party.
ANNOUNCER: Attention-- We'll be closing in 5 minutes.
Please gather your belongings, and make
your way to the nearest exit.
Oh, hello, chap.
Rubbish.
[BEEPING]
[GROAN]
Badum bum bum, dum ch ch, hum dum, tee, taa, dee dah.
[BEEP]
[KEYBOARD CLICKING]
Psst.
[SNORING]
Rise and shine, Columbo.
[SNORING]
Kojak, you there?
[CLICKING]
[LASER SOUNDS]
[JACKHAMMER SOUNDS]
[THUMP]
Ah!
I'm up.
I'm up, all right?
Welcome to the party.
We got dogs snapping at both ends of the yard.
The bone is ready for taking.
[DING]
Brooksy.
I had the dream again.
BROOKS: What dream?
You know, the one where I'm driving on the road that
leads right into the ocean.
Cut the chatter.
KETCHUM: No, listen.
The car won't stop, right?
I try to turn.
Nothing.
Then I wake up just as I start to go underwater.
So what do you think?
This grid is tight.
OK.
Let's do this.
Remember the sequence.
On my mark.
Come on.
Will you help me out here?
I mean, I really want to know.
What do you think?
You're afraid to get caught.
You see the danger, but there's nothing you can do.
No, I'm not afraid of getting caught.
If anything, I'm afraid of drowning.
Lucky for you, you're a thief and not a fisherman.
And what kind of help is that?
3-second intervals on my mark.
Hold it, prowler.
[SIGHING]
Hey, I thought you were there for me man.
Clear.
Go in 3, 2, 1.
[FOOTSTEPS]
[BUZZING]
BROOKS: Smaller steps.
Hey, pocket protector.
You want to do this?
Go again in 3, 2, 1.
[FOOTSTEPS]
[BUZZING]
Better.
Now you're on your own.
[UNZIPPING]
[DRILL WHIRRING]
[THUMP]
[CLICK]
[BEEPING]
[FOOTSTEPS]
[KNOCKING]
You're being robbed.
Look closer!
[BEEPING]
It's not working.
[GASP]
[SQUEAKING]
What the hell is going on?
Seal all available exits.
Sound the alarm but don't call for backup.
Why not?
Just do it.
BROOKS: Shit!
Cover's blown.
Walk away.
Uh, I'm a little busy right.
BROOKS: Ketchum, let's go.
Come on, come on. Work, damn it.
Lobby's crawling with cops.
Get the hell out of there.
Shit.
[SHATTERING]
[SIREN WAILING]
[RUNNING FOOTSTEPS]
Whoa.
Oh boy.
Not good.
[THUMP]
[GROANING]
Oh, shit.
[FOOTSTEPS]
[TIRES SQUEALING]
[DOORS SLAMMING]
[RUNNING FOOTSTEPS]
[ENGING WHIRRING]
[SIREN WAILING]
[RUNNING FOOTSTEPS]
[THUMP]
[GROANING]
[THUMP]
[GROANING]
[HANDCUFFS CLICKING]
[GROANING]
[BANG]
[THUNK]
[MACHINE GUN CLACKING]
[WIRE UNRAVELING]
[THUMP]
[RUNNING FOOTSTEPS]
[MACHINE GUN CLACKING]
[LIVELY JAZZ MUSIC PLAYING]
[DOG PANTING]
[BEEP]
[DOG BARKING]
[FOOTSTEPS]
[SIGH]
[BEEP]
[WHISTLES]
Come on, Capone.
Come on, baby.
Come on. KETCHUM: Who'd you tell?
[GASPS]
Ketchum.
you scared the crap out of me.
[CLICK]
KETCHUM: Who did you tell?
What is this?
A joke?
SWAT coming out of the walls-- that's a joke.
A barrel of laughs.
Just tell me what happened.
Don't point that gun at my dog.
KETCHUM: The cops got tipped.
Brooks got popped.
And I've got nothing to show for it.
Now you tell your side.
Brooks got popped?
Yeah.
That better not be loaded.
Somebody blabbed, and it wasn't me.
That leaves you.
What's going on?
Nothing.
We're fine.
Make some coff-- why don't you put some clothes on?
See we got company?
Scram!
Look, I like you, kid.
You're a good egg, but you work for me.
KETCHUM: Hey, little guy.
- You don't bust into my house-- - You know something?
If your daddy--
BROOKS: --making stupid accusations.
--doesn't start talking, your brains
are going to get blown all over the tile, isn't that right?
Put the dog down.
Oh, uh, I left mine at home.
Now, spill it.
Uno, dos, dos and a half--
he's too cute. That leaves you.
Maybe you should've checked the clip, numb nuts.
Give me my fucking dog.
Come to me.
Get out of my fucking house.
Look, Brooks needs bail, OK?
Send him a puppy.
Hey, he got busted on your job.
- Where's my merchandise? - It was a zoo.
The cops got it.
- Yeah, right. - Hey.
- Then he's in the clear. - He's not.
He's got priors.
It's going to cost about 750.
Look, I need about 300 from you, OK?
What do I look like, the Salvation Army?
Come on.
You know I'm good for it.
You know what you're good for?
Headaches.
Get out.
I'll walk him.
[DOG WHIMPERING]
That's a good boy.
[MUSIC PLAYING]
[DOOR BUZZING]
BROOKS: Where'd you get the dough?
Uh, you don't want to know.
Newcastle.
KETCHUM: Hey, I know it stinks, man.
I-- I didn't have a choice.
BROOKS: 300.
That's a lot of pennies.
He first in line?
Yeah, something like that.
BROOKS: Well, I got about half.
It's going to take me a while to get yours.
Hey, I know where you live, man.
BROOKS: [CHUCKLES]
By the way, I don't know if you heard.
What?
I didn't get it out, man.
I had it, then I lost it, and-- and the cops picked it up.
I didn't hear shit on the scanner.
It came out of thin air.
Newcastle said the leak came from our side, you know?
He said he didn't tell anybody.
You believe him?
KETCHUM: He had a pretty good game face.
I'm sorry.
You know what?
It might be better for me, anyway.
No harm, no foul, right?
Yeah.
Cool.
We gotta get something quick.
You sure?
No.
You the man.
She called a couple times when you were, you know, gone,
asked how you were.
Hope you didn't call her back.
No.
Are you going to call her?
Hell, no.
You got to work up a defense before you make that call.
Where's my scepter?
Guess you found the key under the mat, huh?
Did you read tomorrow morning's paper?
In the aftermath of the break-in,
the police confirmed that an antique Scottish scepter
was stolen with a value of over $9 million.
Cops got it, huh?
Yeah, that's right.
What do you think they're doing, keeping it hush-hush?
They're not going to auction it off at the policeman's ball?
Maybe they weren't real cops.
What the fuck are you talking about?
Real cops don't leave in the middle of a bust.
So they're not real cops.
Maybe they're cartoon cops.
Is that what you're saying?
All I know is what I see.
First of all, the kid hasn't got it.
Now the cops haven't got it.
Well, where the fuck is it?
You know, Brooksy, your ass got popped.
He didn't.
Maybe he's stiffing the both of us.
Maybe there's another crew working out there.
But I'll find them.
I'll find whatever rat bastard did this.
Maybe it's time you asked a few questions,
like who set up the deal?
Where'd you get your scoop?
- Bust his fucking leg. - Take it easy.
Take it easy.
We can find a solution to this problem, OK?
Without busting legs.
Give me my money, and I'll leave.
I can get you half.
We can work off the rest.
You think I want to see you fucking amateurs again?
I have an arraignment in three days.
Is that another threat, Brooksy?
It's a fact.
Look, we know you got something cooking.
Who told you that?
Well, you're here, aren't you?
Come on, cut us in.
You can recoup your 300 out of our share.
It's too big.
It's out of your league.
Nothing's out of our league.
I'll think about it.
Who's the lead?
Somebody you hate, but that's not my problem.
Huh.
Daltrey.
[MUSIC PLAYING]
I get sent down, you'd better send me this shit [INAUDIBLE]..
Wait, you're not going down, brah, all right?
BROOKS: This whole thing reeks.
KETCHUM: Yeah, but we know it.
[SHUTTER CLICKING]
That's a--
Oh!
Ho-ho-ho!
Oh!
Welcome to the asylum.
Look what the cat dragged in.
Still playing games, I see.
Oops.
You remember them?
Not really.
You want me to come with you?
Uh, give me a minute.
Maybe I'll scare them off.
[MUSIC PLAYING]
NEWCASTLE: You're late.
Lucky for you, so's the rest of them.
BROOKS: Lucky us.
This the target?
Think I've seen this movie.
DALTREY: Baca Valley, 1988.
Lebanese government buys a fully functional US printing
press, complete with official papers,
and starts printing US green.
Looked just like the real thing.
The only problem was, they were financed
by the bad guys, Syria.
They wanted to kill our economy by oversaturating the dollar.
So now, the US treasury has new plates,
makes better money, smarter money, harder to counterfeit.
Yeah, but they're trying to play a catch-up game, replacing
the old queer with new bills.
DALTREY: It's called serial rotation.
Once a month, they dump a truckload of new bills on a 747
and send it overseas.
And what's the take?
On average, $200, $300 million per flight.
Seven players, eight figures minimum, minus the money
you owe me.
Can you clean it?
I got a banker in Belgrade, takes 20% off the top.
We bring the cash in, give him our bank account numbers,
he pushes a few buttons.
It's all numbers.
Who's the crew?
DALTREY: My men, hand picked.
KETCHUM: Why do you need us?
I don't.
I'm being force fed.
NEWCASTLE: Daltrey runs the show.
You don't like the way the game is played, walk away.
You in or out?
Why not?
NEWCASTLE: So have you met this package?
It's Daltrey's sister. SOPHIE: Sophie.
Hey. - That's him.
That's him. Billy the Kid.
BILLY: Hey. What's up?
[INTERPOSING VOICES]
DALTREY: OK, this is really heartwarming,
but enough already.
Let's get the freshmen caught up so we can get to work.
Javier, Brooks.
All right, this job breaks down into three parts--
getting on board, cracking the cargo hold,
and offloading the take.
We'll start with the target, a 747-400.
Standard exterior construction, no real advances.
But the guts are very special.
[INAUDIBLE] modified it to meet their personnel specs.
Now, the details are secondhand at best.
However, during downtime, the Fed
leases it out to a high-end freight
outfit called Crown Couriers.
Priority one, we pay them a visit.
Now, it's going to be at Copperfield--
no lifts, just pictures and data.
Winky, tell them what you got.
OK.
Data bank is on the west side, fifth floor.
There's a main entrance, two side doors.
They lead directly into an interior stairwell.
There's no alarm, but there is video surveillance.
And they have two night guards, but they're fat.
Oh, and, uh, two big Rottweilers.
Two what?
Uh, dogs-- big dogs.
[WHISTLES] OK, here you go.
Here you go.
That's right.
What's your name?
Precious?
Supper's on.
SOPHIE: Exit five, go right, third door on your left.
DALTREY: Hopefully we get what we need.
Daltrey.
DALTREY: Then we figure out how to break into the vault.
BROOKS: 12-inch steel door, fingerprint ID,
voice recognition.
Can't be faked.
If we voice recorders from above,
record him during a system check, and [INAUDIBLE]
for the print match. It's a cake.
Could work.
Would get us to stage two.
10-digit serial alarm with a code that changes every day.
Mm-hm.
Wait a minute.
Brooks, you designed a code break for the Syracuse job,
correct?
We use that.
Yeah, but that was a single task entry.
This is a multilayered system with rotating inputs.
DALTREY: And your point is what?
Just make it work.
Did your mama slap him when you were growing up?
DALTREY: Now, part two is getting on board.
All transatlantic flights are served out of the same kitchen.
Thankfully, Javier is set up in food service.
[SPANISH]
JAVIER: Gracias, OK.
There's no way to get direct access.
So it's got to be a [INAUDIBLE] wait.
We'll pack two hot meals per crew member.
Flight crew is usually between two to four,
plus a couple career suits.
Usually means three carts per flight.
It's a simple Trojan horse.
OK, OK, OK, OK.
Huh?
Come on.
Ready?
- Oh, god. - Ooh.
I guess that's a yes.
Did anybody understand what he said?
Sí, sí. [SPANISH]
All right.
As for the rest of us, Ketchum, I
hear you have some toys that might come in handy.
Yeah, I'll arrange something.
Where'd you get it?
Old Tupolev, Tu-20.
Not exactly the same components as a TEXASBOY713, but close.
This thing going to work?
I've never actually tried it like this, but yeah.
It should work.
You might want to step back.
OK, Billy.
That won't happen, hopefully.
Well, if we decide to shoot it out of the sky,
I think we're covered.
It's the first try.
Trust me.
Right?
So you guys bring supper?
And finally, offloading.
Now, we're anticipating two to three pallets,
weighing up to 200 pounds each.
So breaking them down is essential for the transfer.
A stack of $100 bills nine inches high is $100,000.
Ten of them in a block about this big is $1 million.
You'll probably get eight to 10 million in one duffel bag.
Take no more than you can carry.
If everything turns out all right,
you disappear into the night sky.
So Brooksy, what's the key?
What's going to make the difference?
Trust, always trust.
Trust, huh?
Yeah, well, that's close, but I'm going to have to disagree
with you on that one.
Desmodus rotundus-- anyone know what that is?
Anyone?
No.
Hey, oh, you in the front.
Vampire bat.
Vampire bat, that's correct, the invisible predator.
Their favorite target is sleeping cattle.
They secrete a saliva that numbs the cow's skin
and then gorge themselves.
Stomach full, the bad flies away while the cow
sleeps on through the night.
That 747 is our cow.
And thanks to Mr. Newcastle, we are the bat.
Invisibility-- that's the key to this job.
KETCHUM: Twice, when Brooks and I worked with your brother
about seven, eight years ago.
You don't remember us at all?
Why should I?
Common courtesy, you know?
I mean, when somebody says they remember you, you--
you lie.
You say, oh, yeah, yeah.
Now I remember you.
So you never wanted to be a normal girl?
I am normal.
No, I mean normal like shopping,
boys, dating, instead of cracking
safes and rolling marks.
I go out, you know.
I do things.
You do jobs.
I have friends.
You have accomplices.
You know what your problem is?
Your problem is, you've met too many people
that are just like you.
See that?
No.
No, see what?
Go talk to her.
No, I can't. What do you-- what do--
Yeah.
What do I say?
Tell her, [SPANISH].
Hey, what's happening here?
Just giving the kid some pointers
to make time with a woman.
Checkmate.
What?
No, no, it's-- it's Spanish.
I haven't-- I-- I don't even speak it.
Just open your wallet.
Seriously?
Good group.
Not bad.
You nervous?
Shit, yeah.
What did you always used to tell me?
Expect nothing, get nothing.
Expect anything--
--and maybe you'll get lucky.
He did all right with Ketchum.
He's good.
He did it himself, just like you.
Everybody loaded?
Hey, now, wait a minute.
[CORK POPS]
Oh, oh!
Good shot.
You know, I saved the best one.
Hopefully, in 48 hours, we'll open
this one when we all meet, God willing,
and make another toast.
This has been the best seed money I've ever spent my life.
We're going to go down in history.
I think that money is little green pieces
of paper that always is looking for a new home anyway.
So let's lighten Uncle Sam's wallet, boys.
Here you go.
Bring it home.
Cheers.
[NEWCASTLE LAUGHS]
WOMAN (ON RADIO): 21042, traffic's [INAUDIBLE]..
Tower 114.4--
[RADIO COMMUNICATIONS]
[MUSIC PLAYING]
2 hours.
Be sharp.
All right, you guys.
See on the other side.
Think green.
WOMAN (ON INTERCOM): At this time,
I have cleared all standby observers.
All standby observers [INAUDIBLE] flight 251.
[INAUDIBLE]
Time for the money run.
Yeah, got lucky in Vegas last weekend.
Figured I better hide the earnings
before Uncle Sam finds out.
MCCOY: Who's the skirt?
Rookie, first rotation.
I'm breaking her in.
You never give up, do you, Matthewson?
Agent Blaze, Sergeant McCoy.
McCoy has been with me on, what, the last six runs?
Yeah, about six.
Don't play him in cards or introduce him to your sister.
Shouldn't we get these to the vault?
Yeah, right.
Let's do it.
[MUSIC PLAYING]
Jorge, direct your cargo to south terminal.
It's loaded up.
MAN 1 (ON RADIO): --to 160.
Proceed to heading--
MAN 2 (ON RADIO): --maintain 3,000.
Mr. Davids, excuse me.
Mr. Davids.
Shit.
Seems we've got a problem with your flight plan.
You got a minute?
Sure, go ahead.
What's up?
[MUSIC PLAYING]
OK? You ready?
What?
- I have to pee. - It's too late now.
Two in position.
Excuse me.
Dan Caldwell, INS.
Are you the man in charge?
Yeah.
Do you have a Jorge Martinez working for you?
Uh, what's this about?
Did you know that you're employing an illegal immigrant,
one with falsified documents?
Are you serious?
Oh, yes.
Bring him here, please.
Yeah.
Uh, Jorge, come here, please.
Yeah?
This guy wants to talk to you about something.
Yeah?
This is ridiculous, OK?
I filed it myself 10 days ago, 10.
Unfortunately, it's not in the computers.
What exactly does that mean?
I've got this. I've got it.
If I can just get you to come back inside,
we can restart the paperwork and--
Wait, what?
You want to restart the paperwork?
Is that what you're saying?
No, that's-- no, that is bullshit, OK?
That's unacceptable to me.
This is your fuck-up, not ours.
Sir, I do not appreciate your tone.
So if you would like to get off the ground
in the next month, that-- - OK, OK.
You want tone?
You want fucking tone? - Gentlemen--
- Tell me this. - Gentlemen--
Is this a commuter terminal?
That's all I want to know.
Gentlemen, please.
May I make a suggestion?
Did you or did you not lie on your application?
Come on, boss.
Don't let him do this.
I work hard for you, you know.
I have three kids.
I need this job, please.
He really doesn't have anything
to do with this, now, does he?
[SPEAKING SPANISH]
Hold on to him.
[SPEAKING SPANISH]
I don't know what he's saying, but it's not good.
[SPEAKING SPANISH]
I'm going to enjoy this.
[MUSIC PLAYING]
If you would do me a favor, I'm going to have to make a report.
Now, it'd be great if you could dig up
his whole employment history, time cards, pay stubs,
everything you've got, OK?
I don't know what to say.
Oh, listen, don't worry about it.
Sometimes, they just slip through the cracks.
Get out of my sight.
What was that you called me?
Here you goo.
This way, you have something to file as a flight plan,
and we can make our meeting on time.
Well, it's not exactly procedure,
but, uh, I'll get you out of here in an hour.
Great.
Hey, and thanks for your patience.
My pleasure.
[MUSIC PLAYING]
MAN (ON RADIO): Falcon 269, contact tower at 2391.
Falcon 269, contact tower at 2391.
Hey, answer him.
What do I say?
Improvise.
Yeah, this is Falcon.
What's your 20? We copy.
Over.
You're cleared for takeoff on six.
What's your status?
We're, uh, executing a second pre-flight.
We got some late passengers to the party.
Uh, Please hold our position.
Over.
Roger, Falcon.
Contact tower at 2391 for clearance.
WOMAN: Matthewson, Jerry Lee.
Verify.
Santiago 911.
WOMAN: ID confirmed.
Input code.
Vault closed, lock sequence initiated.
Reentry set for Geneva at 0400 Greenwich Mean.
[MUSIC PLAYING]
Ah, gentlemen.
Beautiful day for it, huh?
Yep.
Should be smooth sailing today.
If you guys need anything, just holler.
Yeah, will do.
OK.
Let's go, huh?
All right, Jav. Get us in the air.
We're behind schedule. Lock it down.
OK.
WOMAN (ON RADIO): Heavy 505, turn left, heading 363.
Proceed to CHI runway two for clearance.
CAPTAIN (ON RADIO): Copy, tower.
505 out.
MAN (ON RADIO): Falcon 269, turn left, heading 275,
for taxi three.
JAVIER (ON RADIO): Falcon 269 proceeding to [INAUDIBLE],,
heading 275 degrees.
MAN (ON RADIO): Falcon 269, inbound traffic.
Hold, PHC6.
Falcon 269, number two for departure.
JAVIER: Copy that.
269 holding.
You feel all right?
I'm not so good in small planes.
Wow.
It's a good thing you're a thief, not a pilot.
Flight controls.
CAPTAIN: Check.
Flaps set.
Come in, tower.
505, we're ready for takeoff.
WOMAN (ON RADIO): Heavy 505, cleared on PHI runway three.
Take care.
CAPTAIN (ON RADIO): Thank you, tower.
505 out.
[ENGINES STARTING]
CAPTAIN: This is Captain Miller from the flight deck,
just wanting to welcome you aboard.
We have a nice tailwind.
We should make Geneva ahead of schedule.
So if there's anything we can do from up here, just let us know.
How do you like it so far?
It's fine.
Ah.
Well, pace yourself.
It's a long flight.
I always save my paperwork for the last leg.
Boeing 747, queen of the skies.
You know how much one of these cost when they
first started building them?
No.
Well, guess.
$160 million.
Do you know the most number of people they ever stuffed
into one of these things was?
Guess.
687 Ethiopian refugees.
It landed with three more than it took off with.
Guess how.
Three babies who were born during the flight.
Wow, that's some noodle you got there.
Did you know that there are more 747s in use
around the world than any other aircraft?
In fact, if you counted the number--
I'm going to get some coffee.
You want some?
Yeah, that sounds good.
No, stay.
I'll bring it back.
Are you sure?
Yeah, it's no problem.
Please, stay.
All right.
Now, did you know that some of these babies
have quadruple redundancy?
Here you go.
Thanks.
I'll see you back out front.
Thanks.
CAPTAIN (ON RADIO): Treasury 505 requesting secure link.
Level at 37,000, 460 knots.
Out.
You get anything?
It's weak.
But I got him.
DALTREY: Bill, get him up.
Brooks.
Ketchum, let's go.
He does that.
Come on, Ketchum.
Let's go.
Freeze! Police!
Don't move!
Come in, Sparrow.
This is Raven.
Do you copy?
Uh, yeah, we copy.
What's your status?
I'm freezing.
How about job status?
SOPHIE (ON RADIO): Patching in.
Ready in five. - OK, we copy.
Well, here we are again.
Never would've guessed.
Feels right, though, doesn't it?
Yeah, it does.
I need to get up and stretch my legs, use the head.
You got it?
Yeah, I got it.
Hey, how about some of those snack packs?
Yeah, that's just what you need.
TCAS deactivated.
You're good for approach.
Copy that.
We're invisible.
All right, Ketchum.
You're up.
Sparrow, initiate gear.
This better work.
[ALARM BEEPING]
She doesn't like that.
Is turbulence always this bad?
This isn't turbulence.
What do we got?
The landing gear's deployed.
I can't get it back.
Let's get her down.
Are we going to close the gap?
Let's wait till [INAUDIBLE].
It's no good.
Magnets aren't responding.
Power down another 5%.
We'll level at 10.
DALTREY: Target one mile out.
All right, Jav.
Even us out.
CAPTAIN: Leveling at 10.
Try to retract again.
Still not responding.
All right, nice and easy.
JAVIER: Decompressing.
CAPTAIN: We're going have to override the system manually.
See what you can find. - Stand by.
JAVIER: Hold on.
We're heading into the jet stream.
1,100 feet.
What can I do?
Back off flap.
OK, releasing flap.
Oh, crap!
Hold back!
Talk to me. Talk to me.
COPILOT: Hang on. Hang on.
It's here. Loading carriage systems.
OK, I got it.
Lower level, center section, stringer.
I'll radio center. Take the handheld.
COPILOT: Got it.
Load it, center.
This is Treasury 505.
We have mechanical failure in our landing gear.
Request assistance at priority clearance.
That's as close as you get.
Come on, do it now. - All right, Bill.
Get the door.
- Blast again. - Proceed.
Lock me in.
Hurry up.
Hold her steady.
Fire in the hole!
We're locked in.
Jav, keep the angle.
Son of a bitch.
Ketchum, come on.
Get out there.
Go!
- What? - Hey, man.
What's your problem?
Get out there!
You still with Central?
Ask if the jack leg and bogey motors are sequential,
and can I shut them both down at once?
All right, let's do it.
Better work.
See you on the other side!
Holy shit!
It's working!
[GRUNTS]
Circuitry's fried.
I can't get power to initiate retraction.
What if you switch to hydraulic
feeds from the Kruger gates, reroute
the juice to the landing gear?
It's worth a try.
We're on [INAUDIBLE]!
Grab my hand!
It worked!
Are you OK?
Yeah.
Shit, they're rerouting power.
Let's go.
We're losing fuel fast.
[GRUNTS] Come on, you son of a bitch.
Hold the pulley.
Come on!
Two across.
Go, three.
This is crazy.
Hold on.
I think I got it.
Shit.
They're going manual. KETCHUM: What's that mean?
SOPHIE: The landing gear is going to come back up.
How long?
DALTREY: Let's go, Billy. Move out.
SOPHIE: No, wait, Daltrey, the landing gear is coming back up.
Let's go, Billy. SOPHIE: Don't!
There's not enough time. - Come on, Billy.
You got to move out. Let's go now.
Leave him! Don't risk it!
DALTREY: Come on, Bill.
MAN (ON RADIO): Treasury 505, London--
Hold on, London.
We may have solved the problem.
SOPHIE: Shit, they got it. It's moving.
BROOKS: Turn back now. - Shut up!
Come on, Billy, you can make it. Let's go!
BROOKS: Don't, Billy. Go back.
What the hell's he doing, man?
Shit, he's coming back down.
[SCREAMS]
Look out!
Cable!
Cut it loose, man!
Cut it loose, quickly, now!
Come on!
[ALARM BLARING]
Jesus.
Shit.
What the hell was Billy doing?
I don't know.
BROOKS: Shit is rotten.
Never learned anything, did you, Daltrey?
DALTREY: Let it go, Brooksy.
You get greedy.
You lose focus.
And someone is going to get hurt!
Don't fucking lecture me.
I did what I had to do.
Yeah, you killed him.
OK, OK, back off.
He had the voice recorders and half the money bags,
you get it?
Huh?
It's always got to be your way, Brooks' law.
You've even got your little monkey trained to your tune.
Daltrey.
What?
You lost your edge.
You guys pay for the added excitement?
Everything OK, sir?
Yeah, we're 100%.
We're good.
What caused the problem?
Static electricity.
We're not going to know till we get on the ground.
Agent Matthewson, you look a little shaken up.
Me?
No, no, no problem, yeah.
COPILOT: Good.
Like a rock.
Uh, Captain, sir, one thing.
We're going to be able to get that landing
gear down again, right?
We might have to go in on our belly.
No, we'll be OK. - Oh, OK.
Yeah.
CAPTAIN (ON RADIO): Indicators are clear.
Request direct to Geneva.
Thank you, London.
505 out.
Oh, shit.
Nice work.
Let's get her back up.
BROOKS: What's missing?
Half of our batteries, CO2 cartridges.
Computer's fried.
Shit.
We lost our cable.
Well, it's not going to matter much if we
can't break into the vault.
We take it by force.
Bring the treasury suits down to the vault,
get them to open it, and then lock them inside.
They'll trigger the silent alarm.
The pilots will take her right down.
And there's no way we can offload in time.
Every alarm has a soft spot, human response.
Take a house alarm.
You open a window.
The alarm goes off.
What do you do?
You check it out, turn off the alarm.
And then when you reset that alarm,
if the window isn't shut, it isn't activated.
We're going to trigger the alarm ourselves?
Can you hack into the system?
Find the right wires.
Wait a minute.
This isn't a house.
This is a vault with one door and no windows.
So we make one.
How do you even know this is going to work?
You don't.
You just got to trust.
Now, how long will you have to drill?
As long as it takes for them to walk from the cabin
to the vault. It's three, four minutes, tops.
Your surveillance still operational?
Yeah.
Where do you want your window?
I don't know.
Ketchum.
Follow me.
That battery is never going to last.
Steel is an inch thick.
Who said anything about using batteries?
Hydraulics.
We're going to plug right into the ship's hydraulics.
Yeah, if we can find them.
You run the show.
Yeah.
Oh, thanks for those.
My calves are freezing together.
Here.
This.
What's that?
Canela.
What?
Canela, cinnamon, whatever.
It helps.
Thanks.
All right.
OK.
Over there.
Actuator's over there.
Don't forget to turn off the valve on the right, OK?
Before you hook up.
Come on.
[ELECTRONIC BEEPING]
Shit.
This stuff is leaking everywhere.
KETCHUM: What are you doing, man?
I turned off the valve.
You said the right valve.
Oh, shit!
KETCHUM: The right tank valve, the right tank valve.
DALTREY: OK, there's two valves.
Which one, the top or the bottom?
Your hand's on it.
DALTREY: This-- all right.
You said the freaking right valve--
OK, that did it.
That got it.
Juicy.
Let's see what you got.
All right, kids.
Is everybody ready?
In position, ready to roll.
I said, on my command, go.
They're not responding.
DALTREY: Give them a minute.
Come on, come on.
Oh, baby.
Suck on that.
I'm going to the kitchen.
You want something?
Maybe a tissue for your tears?
No?
All right.
Hey, your terminal's acting weird.
Wait.
Hold it.
REBECCA: Agent Matthewson.
Matthewson!
Huh?
We have a breach warning.
Just, uh, try resetting the system.
Well, shouldn't we check it out?
Turbulence probably just knocked a vault sensor loose.
Just reset it.
See?
Damn.
I got to hit it again.
Again?
No.
No, that's too risky.
BROOKS: We don't have a choice.
Brooks, if they know we're here, it's over.
One more try.
OK.
OK, do it.
All right, what's happening?
They're not responding.
Wait.
Hold it.
It's working.
Wait till it shuts down.
Matthewson, it is procedure to do a visual inspection
of the vault and then reset.
Inspect what?
It's only money.
You're right.
I'm probably just a worrywart.
I just thought it might be nice to stretch our legs.
And you can show me how to do that vault
entry sequence again.
Well, I could stretch my legs.
Great.
Go, go, go!
[MUSIC PLAYING]
Switch.
[MUSIC PLAYING]
So Matthewson, you train all the new agents?
Yes.
Yeah, absolutely.
They just passed me.
Daltrey, stop it.
So how's the home life?
Settling in OK?
CAPTAIN (ON RADIO): Matthewson, Jerry Lee.
Santiago 911.
Stop cutting!
KETCHUM: Daltrey, stop!
I got it!
SOPHIE: Stop cutting!
WOMAN: Input code.
You'll have one of your own.
Yeah, they gave me one.
Oh, good.
Yeah.
[FAINT DRILLING]
MATTHEWSON: Everything seems to be in order.
See, probably just a loose sensor wire.
I guess you're right.
So you want me to show you that sequence again?
Sure.
After you.
She's all yours, if you want it.
Really?
Yeah.
WOMAN: Blaze, Rebecca.
Verify.
Rosemary 137.
WOMAN: ID confirmed.
Alarm reactivated.
How much do you think?
Probably 250 million.
Give or take a couple hundred thousand.
Let's get to work.
[MUSIC PLAYING]
We need to find some cable.
SOPHIE: I'll come with you.
Hey, Brooksy, do me a favor.
Make me a promise just this one time.
I don't make promises.
Listen, stay away from Daltrey, OK?
He's packing.
This guy never changes.
Guess that seals the deal.
Not to mention Bill's tattoo.
BROOKS: What do you mean?
KETCHUM: Let's just say I met him before.
[INAUDIBLE].
Sophie too?
I don't think so.
Newcastle's a prick, but he's got scruples.
So what do you want to do?
I don't know.
So we need to change the plan.
The plan is the plan.
It doesn't change.
We wouldn't even be in the vault if it wasn't for them.
Excuse me?
I'm just saying, you know, they earned their take.
Lock everything down.
We're heading back.
Once we blow the hatch, we'll probably have about 15 minutes.
After the money's down, Sophie will go first.
I'll go second.
And you guys can follow.
One of us goes second.
Yeah, Billy's gone.
It's a new deal.
That's not what we planned.
Well, that's the way it's got to be.
What happened to all that trust you were preaching?
It stays with the money.
All right, fine.
Suit up.
Sparrow, this is Raven.
Do you copy?
JAVIER: Go.
DALTREY: Prepare for transfer.
Copy that.
Hold on to your knickers.
We've got decompression in the hold.
Descending to 10,000.
Come in, center.
Treasury 505.
We have cabin depressurization.
Center, 10,000 feet.
Repeat, this is Treasury 505.
Ready?
Yeah.
[GROANS]
Copy that.
I need to get into the vault.
I'll go.
Whoa.
We'll all go.
OK, let's do this.
Keep it tight.
Come on.
All right, on three.
1, 2, 3.
[MUSIC PLAYING]
[ALARM BLARING]
All right, pressure's equalizing.
Hold at 10.
Check.
Let's go! Let's go!
Keep it moving!
[MUSIC PLAYING]
- Come on. - Move left!
Move left!
OK, OK, OK, OK.
[GRUNTS]
JAVIER: Come on, Winky.
Yes!
I got it, Jav!
Whoo-hoo! Send them!
Let's go!
JAVIER: Come in, Raven.
This is Sparrow.
Docked in, ready for transfer.
Go, go, go!
OK, come on!
WOMAN: Blaze, Rebecca.
Verify.
Rosemary 13 7.
WOMAN: Input code.
All right, here. Let me try.
Let me try.
Damn it!
Well, can you break it down?
Short ram.
Go.
Oh!
Ha.
Yeah-ha-ha!
Listen, I love ya!
Whoo-hoo-hoo!
WINKLER: Ha-ha!
We're rich!
Winky, we're rich! WINKLER: Ha-ha-ha!
Copy that.
Pressures' coming back.
Is it safe in there?
Depends on what's on the other side.
Y'all might want to step back.
They're here!
Keep moving the bags!
Keep moving them!
All right, keep moving the money!
Yeah, keep it moving!
Let me in.
Let me in there.
Drop the bag!
How original.
Did you think this up all by yourself,
or did Newcastle walk you through it?
Drop it!
All right, Sophie, clip on.
You're first.
Sophie?
Let her make up her own mind.
Shut up!
Sophie.
Damn.
Don't fucking move!
KETCHUM: Just relax.
I got to pay up, OK?
I lost a bet.
You were right, man.
I really thought I was growing on her.
Yeah, you got to watch out for those women.
Hey, shut up!
Brooks!
What are you doing?
I'm not going in there with just a smile.
You fucking idiot!
What is wrong with you?
Let go!
What-- ah!
Come here!
No!
Stop it!
We have to get out of here.
Oh my god!
Daltrey, don't!
[SCREAMS]
Get off!
What the hell's going on?
SOPHIE: Daltrey, what are you doing?
Stop already!
It's over!
It's done!
Daltrey, no!
Daltrey, what the hell are you doing?
DALTREY: Shut up!
[MUSIC PLAYING]
What the fuck is this, man?
Fuck!
It's only money, huh?
What the fuck?
[MUSIC PLAYING]
Where's the van?
I told them to circle.
[NON-ENGLISH SPEECH]
No, go home.
I've had it.
Daltrey.
What is your problem?
He's a fucking bum.
Where's the van?
I told him to circle.
Hey, just-- just take that.
- Oh, bless you. - Yeah, there you go.
Hey!
Turn up the heat.
You look like shit.
You weren't going to go anywhere without me, were you?
How's it feel to be millionaires?
Where are the boys?
Javier's getting the van.
They didn't make it.
Things got bumpy.
Bumpy?
What do you mean, bumpy?
I'll tell you later.
SOPHIE: There's the van.
[POLICE SIRENS]
Javier!
NEWCASTLE: Don't move.
If they wanted us, we'd be in cuffs right now.
It's a bomb threat.
WINKLER: There's Jav. There's Jav.
Let's go.
[MUSIC PLAYING]
- What the fuck was that, huh? - Come on, come on.
Cops everywhere, like [INAUDIBLE]..
Come on, guys.
All I'm saying is, next time, pick someplace more remote.
Next time is next time.
Hey, Rio Bravo, lose the gun.
Metal detector.
Let's go. Let's go.
Let's go.
[NON-ENGLISH SPEECH]
How are you, my friend?
Good.
What's happening here?
Oh, no problem.
We have a slight delay.
There's maybe a bomb threat.
NEWCASTLE: Bomb threat? - It's no good.
The heat'll be here any minute.
Let's get out of here, come back when the place is clean.
We've got the time.
[POLICE SIRENS]
We'll be back, an hour and a half or so.
You know, it's probably just a joke.
Too many crazy people around.
Joke, yeah.
Yeah.
[NON-ENGLISH SPEECH]
Oh, god.
I hate cops.
Let's just keep moving.
Keep moving.
[ELECTRONIC BEEPING]
[NON-ENGLISH SPEECH]
All right, what is that? what is that?
Winky, why the hell are these things beeping?
- I don't know. - Just turn it off.
Turn it off!
[NON-ENGLISH SPEECH]
NEWCASTLE: The cell phone.
[NON-ENGLISH SPEECH]
No, no!
Whoa, whoa, whoa!
What'd he say?
Drop the case!
Put your hands in the air now!
Now!
What?
All right, all right.
OFFICER: Everyone out, now!
Move it!
Yes.
It was you.
It's him.
You did this.
Me? Let's go.
It's this guy!
I do what?
You did this, you little cocksucker!
Shut up!
OFFICER: [NON-ENGLISH SPEECH]
DALTREY: It's-- it's not a bomb.
It's-- it's my money, my money.
It's a joke.
Sophie, where we go?
What do we do?
Just disappear.
Come on, let's go.
It's a joke!
[BEEPING]
We're being hustled.
Two bomb threats in an hour? This is bullshit.
We're being hustled.
It's a good thing nobody understands what you're saying.
Just ride it out.
Ride it out.
It's really not a problem, OK?
Hey, who's fucking talking to you?
[POLICE SIRENS]
What's taking so long?
Shut up.
There's no bomb.
I shouldn't be here by now.
There's our goods.
All right, what do we do?
Hm, what are they doing?
We're just going to stand here?
This is crap.
NEWCASTLE: I'm not going to tell you again.
- What do we do? - We've been had.
Ah, shit.
Hey!
That's not money!
That's my money!
[GRUNTS] It's my money!
It's my body, my money!
Ah.
What--
What? No, go home.
Go home.
WINKLER: Daltrey.
SOPHIE: What is your problem? - What?
He's a fucking bum.
DALTREY: Winky, why the hell are these things beeping?
WINKLER: I don't know.
It's a bomb!
NEWCASTLE: There's our goods.
DALTREY: What do we do?
NEWCASTLE: We've been had.
Go slow.
You know what I know?
That you, spider Billy, took my scepter.
You've been treed.
[GROANS]
Didn't you tell me once it's not polite to forget people?
It's not polite to point, either.
I thought you were dead.
Your brother's a lousy shot.
How much did you blow?
Whatever we couldn't carry.
Splits up nicely, then.
Are we done?
What are you waiting for?
You sure you're done?
Hey.
Do you, uh-- do you want a ride?
[MUSIC PLAYING]